There is a world alongside ours--vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe. The Overstory is a book for all readers who despair of humanity's self-imposed separation from the rest of creation and who hope for the transformative, regenerating possibility of a homecoming. If the trees of this earth could speak, what would they tell us? "Listen. There's something you need to hear."

It's 2038 and Jacinda (Jake) Greenwood is an overqualified tour guide babysitting ultra-rich vacationers in one of the world's last remaining forests. It's 2008 and Liam Greenwood is a carpenter, sprawled on his back after a workplace fall. It's 1974 and Willow Greenwood is out of jail, free after being locked up for one of her endless series of environmental protests. It's 1934 and Everett Greenwood is alone, as usual, in his maple-syrup camp squat, when he hears the cries of an abandoned infant and gets tangled up in the web of a crime, secrets, and betrayal. And throughout, there are trees: a steady, silent pulse, a rain-soaked and sun-dappled story of the bonds and breaking points of money and love, wood, and blood--and the hopeful, impossible task of growing toward the light.

While working in the woods to save money for a trip to Fiji, Garth and his friends get caught up in a sudden forest fire and must do anything they can to survive the spreading inferno.

Called the work of "a mesmerizing storyteller with deep compassion and memorable prose" (Publishers Weekly) and the book that, "anyone interested in natural history, botany, protecting nature, or Native American culture will love," by Library Journal, Braiding Sweetgrass is poised to be a classic of nature writing. As a botanist, Robin Wall Kimmerer asks questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces indigenous teachings that consider plants and animals to be our oldest teachers. Kimmerer brings these two lenses of knowledge together to take "us on a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise” (Elizabeth Gilbert). Drawing on her life as an indigenous scientist, a mother, and a woman, Kimmerer shows how other living beings offer us gifts and lessons, even if we’ve forgotten how to hear their voices.

Are trees social beings? Forester and author Peter Wohlleben makes the case that, yes, the forest is a social network. He draws on groundbreaking scientific discoveries to describe how trees are like human families: tree parents live together with their children, communicate with them, support them as they grow, share nutrients with those who are sick or struggling, and even warn each other of impending dangers. Wohlleben also shares his deep love of woods and forests, explaining the amazing processes of life, death, and regeneration he has observed in his woodland.

What if the stories of trees and people are more closely linked than we ever imagined? People across the world know that to tell how old a tree is, you count its rings. Few people, however, know that research into tree rings has also made amazing contributions to our understanding of Earth's climate history and its influences on human civilization over the past 2,000 years. In her captivating book Tree Story, Valerie Trouet reveals how the seemingly simple and relatively familiar concept of counting tree rings has inspired far-reaching scientific breakthroughs that illuminate the complex interactions between nature and people.

Structured as a series of interactive field walks through ten New England ecosystems, this book challenges readers to see the world through the eyes of a trained naturalist. With guided questions, immersive photography, and a narrative approach, each chapter adds layers of complexity to a single scene, revealing the millions of years of forces at play.

Several years ago, ecologist Lauren E. Oakes set out from California for Alaska's old-growth forests to hunt for a dying tree: the yellow-cedar. With climate change as the culprit, the death of this species meant loss for many Alaskans. Oakes and her research team wanted to chronicle how plants and people could cope with their rapidly changing world. Amidst the standing dead, she discovered the resiliency of forgotten forests, flourishing again in the wake of destruction, and a diverse community of people who persevered to create new relationships with the emerging environment.

The Architecture of Trees is the result of over twenty years of dedicated study by landscape architects Cesare Leonardi and Franca Stagi. This new edition preserves the original magnificent illustrations and text, translated into English for the first time. Features more than 550 exquisite quill-pen drawings of trees. Each of the 212 tree species are drawn to a scale of 1:100, with and without foliage. Complete with tables of seasonal color variation and projections of shadows cast during the hours of daylight and season by season, no other tree book contains such detailed and scientific drawings. Considered a standard in many landscape architecture firms, the drawings, essays, and detailed charts are essential for large scale landscaping projects and a helpful tool for backyard renovations. Landscape designers will think in new ways about the effect of seasons and the time of day on trees, and anyone interested in nature and trees will be captivated by the stunning illustrations.

Reveals what is going on in oak trees month by month, highlighting the seasonal cycles of life, death, and renewal. From woodpeckers who collect and store hundreds of acorns for sustenance to the beauty of jewel caterpillars, Tallamy illuminates and celebrates the wonders that occur right in our own backyards. He also shares practical advice about how to plant and care for an oak, along with information about the best oak species for your area. The Nature of Oaks will inspire you to treasure these trees and to act to nurture and protect them.

There are redwoods in California that were ancient by the time Columbus first landed, and pines still alive that germinated around the time humans invented writing. There are Douglas firs as tall as skyscrapers, and a banyan tree in Calcutta as big as a football field. From the tallest to the smallest, trees inspire wonder in all of us, and in The Tree, Colin Tudge travels around the world--throughout the United States, the Costa Rican rain forest, Panama and Brazil, India, New Zealand, China, and most of Europe--bringing to life stories and facts about the trees around us: how they grow old, how they eat and reproduce, how they talk to one another (and they do), and why they came to exist in the first place. He considers the pitfalls of being tall; the things that trees produce, from nuts and rubber to wood; and even the complicated debt that we as humans owe them.

In this lavishly illustrated book, Charles Watkins celebrates the myth and magic of arboreal art. Open its pages and enter the greeny groves of the classical world, from Daphne's metamorphosis into a laurel tree to the gardens of Pompeii. Shade yourself beneath the tree in sacred art, as represented in masterworks by Botticelli and Michelangelo. Exploring every leafy manifestation of tree art--from oaks as a symbol of nationhood and liberty across Europe, to the natural mystery and drama of forest interiors, the formal beauty of cultivated avenues, and representations of forestry over the ages--Trees in Art illuminates trees that are much more than mere plants. Taking in the fantastic and surreal arboreal art of Giuseppe Arcimboldo, William Blake, Arthur Rackham, and Salvador Dalí, as well as the work of contemporary artists like Giuseppe Penone and Ai Wei Wei, Trees in Art reveals the enduring practice, genius, and meaning behind how artists render trees. Drawing on exquisite artworks and Watkins's deep knowledge of the history and ecology of trees, the thematic chapters of Trees in Art take us on an enlightening journey through centuries of verdant, artistic engagement with a natural form that seems to mirror and allegorize the human path through life.

Trees were central to Henry David Thoreau's creativity as a writer, his work as a naturalist, his thought, and his inner life. His portraits of them were so perfect, it was as if he could see the sap flowing beneath their bark. When Thoreau wrote that the poet loves the pine tree as his own shadow in the air, he was speaking about himself. In short, he spoke their language. In this original book, Richard Higgins explores Thoreau's deep connections to trees: his keen perception of them, the joy they gave him, the poetry he saw in them, his philosophical view of them, and how they fed his soul. His lively essays show that trees were a thread connecting all parts of Thoreau's being--heart, mind, and spirit. Included are one hundred excerpts from Thoreau's writings about trees, paired with over sixty of the author's photographs. Thoreau's words are as vivid now as they were in 1890, when an English naturalist wrote that he was unusually able to "to preserve the flashing forest colors in unfading light." Thoreau and the Language of Trees shows that Thoreau, with uncanny foresight, believed trees were essential to the preservation of the world.

Be it the huge rags stumps by Berlinde De Bruyckere, shimmering waxen and wrapped in giant rags, or the oil painting of a sparse forest with fragments of a Corbusier building in the background by Peter Doig; the mighty, upside-down black-and-white photograph of an oak tree by Rodney Graham or the picture of a detonated fruit tree by Michael Sailstorfer: these works of art always depict the tree as a diversely interpretable motif. In particular, it is about how the subject tree in a symbolic way may raise fundamental questions of existence. Art, in contrast to natural sciences and religion, has an advantage as it only has to raise questions, not give answers. Thus, it can reveal the tree as a symbol, mirror and object of projection, demonstrate how it represents life and/or death. Trees, however, are also suitable as a theme for clashes and inspirations, since it is lends itself to trace the story of human relationship with nature in an exemplary way, while, at the same time, pointing out that the dichotomy between nature and culture need not necessarily lead to destruction.

Wild or cultivated, solitary or within a forest, rural or urban, trees have long provided a compelling source of inspiration for artists and photographers alike. Both as standalone aesthetic 'objects' and as symbols of broader cultural significance, trees have an understated, sometimes underappreciated ability to evoke a deep, primal sense of wonder and, indeed, pleasure. Whether captured as functional botanical records or as a means of creative expression, Into the Woods is an elegant, informative introduction to the ways in which distinctive patterns of branch, bark, leaf and root have continued to offer arresting subjects for photographers across the centuries. Written by Martin Barnes, Senior Curator of Photographs at the V&A, with over 100 photographs ranging from the 19th through to the 21st century, supported by commentaries and an introduction of c. 1,500 words, Into the Woods illustrates the wild (or cultivated) and wonderful world of trees in photography.

Reveals the profound interactions humans can have with nature, exploring: the language of the forest the consciousness of plants and the eroding boundary between flora and fauna. A perfect book to take with you into the woods, The Heartbeat of Trees shares how to see, feel, smell, hear, and even taste the forest.

Trees are familiar components of many landscapes, vital to the healthy functioning of the global ecosystem and unparalled in the range of materials which they provide for human use. Yet how much do we really understand about how they work? This 2000 book provides a comprehensive introduction to the natural history of trees, presenting information on all aspects of tree biology and ecology in an easy to read and concise text. Fascinating insights into the workings of these everyday plants are uncovered throughout the book, with questions such as how are trees designed, how do they grow and reproduce, and why do they eventually die tackled in an illuminating way. Written for a non-technical audience, the book is nonetheless rigorous in its treatment and will therefore provide a valuable source of reference for beginning students as well as those with a less formal interest in this fascinating group of plants.

Among American Canopy's many fascinating stories: the Liberty Trees, where colonists gathered to plot rebellion against the British; Henry David Thoreau's famous retreat into the woods; the creation of New York City's Central Park; the great fire of 1871 that killed a thousand people in the lumber town of Peshtigo, Wisconsin; the fevered attempts to save the American chestnut and the American elm from extinction; and the controversy over spotted owls and the old-growth forests they inhabited. Rutkow also explains how trees were of deep interest to such figures as George Washington, Thomas Jefferson, Benjamin Franklin, Teddy Roosevelt, and FDR, who oversaw the planting of more than three billion trees nationally in his time as president. As symbols of liberty, community, and civilization, trees are perhaps the loudest silent figures in our country's history.

Contents: Pictures about trees / Reinhold Hohl -- The last tree : perceptions of the tree in contemporary art / Markus Brüderlin -- The magic of trees--powers in wood : images from South Pacific cultures / Christian Kaufmann -- Trees--powers in wood : conceptions of African art / Bernhard Gardi.

Photography of trees exhibition. "Published on the occasion of an exhibition at the National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., October 27, 1978-January 7, 1979."

As a graduate student exploring the rain forests of Australia, Meg Lowman realized that she couldn't monitor her beloved leaves using any of the usual methods. So she put together a climbing kit: she sewed a harness from an old seat belt, gathered hundreds of feet of rope, and found a tool belt for her pencils and rulers. Up she went, into the trees. Forty years later, Lowman remains one of the world's foremost arbornauts, known as the "real-life Lorax." She planned one of the first treetop walkways and helps create more of these bridges through the eighth continent all over the world. With a voice as infectious in its enthusiasm as it is practical in its optimism, The Arbornaut chronicles Lowman's irresistible story. From climbing solo hundreds of feet into the air in Australia's rainforests to measuring tree growth in the northeastern United States, from searching the redwoods of the Pacific coast for new life to studying leaf eaters in Scotland's Highlands, from conducting a BioBlitz in Malaysia to conservation planning in India and collaborating with priests to save Ethiopia's last forests, Lowman launches us into the life and work of a field scientist, ecologist, and conservationist.

In the late seventeenth century two penniless young Frenchmen, René Sel and Charles Duquet, arrive in New France. Bound to a feudal lord, a "seigneur," for three years in exchange for land, they become wood-cutters--barkskins. René suffers extraordinary hardship, oppressed by the forest he is charged with clearing. He is forced to marry a Mi'kmaw woman and their descendants live trapped between two inimical cultures. But Duquet, crafty and ruthless, runs away from the seigneur, becomes a fur trader, then sets up a timber business. Proulx tells the stories of the descendants of Sel and Duquet over three hundred years--their travels across North America, to Europe, China, and New Zealand, under stunningly brutal conditions--the revenge of rivals, accidents, pestilence, Indian attacks, and cultural annihilation. Over and over again, they seize what they can of a presumed infinite resource, leaving the modern-day characters face to face with possible ecological collapse.

A stunning novel about love, work, and marriage that asks how far one family and one community will go to protect their future. Colleen and Rich Gundersen are raising their young son, Chub, on the rugged California coast. It's 1977, and life in this Pacific Northwest logging town isn't what it used to be. For generations, the community has lived and breathed timber; now that way of life is threatened. Colleen is an amateur midwife. Rich is a tree-topper. It's a dangerous job that requires him to scale trees hundreds of feet tall--a job that both his father and grandfather died doing. Colleen and Rich want a better life for their son--and they take steps to assure their future. Rich secretly spends their savings on a swath of ancient redwoods. But when Colleen, grieving the loss of a recent pregnancy and desperate to have a second child, challenges the logging company's use of the herbicides she believes are responsible for the many miscarriages in the community, Colleen and Rich find themselves on opposite sides of a budding conflict. As tensions in the town rise, they threaten the very thing the Gundersens are trying to protect: their family.

Perhaps the world’s most distinctive tree, ginkgo has remained stubbornly unchanged for more than two hundred million years. A living link to the age of dinosaurs, it survived the great ice ages as a relic in China, but it earned its reprieve when people first found it useful about a thousand years ago. Today ginkgo is beloved for the elegance of its leaves, prized for its edible nuts, and revered for its longevity. This engaging book tells the rich and engaging story of a tree that people saved from extinction—a story that offers hope for other botanical biographies that are still being written.   Inspired by the historic ginkgo that has thrived in London’s Kew Gardens since the 1760s, renowned botanist Peter Crane explores the history of the ginkgo from its mysterious origin through its proliferation, drastic decline, and ultimate resurgence. Crane also highlights the cultural and social significance of the ginkgo: its medicinal and nutritional uses, its power as a source of artistic and religious inspiration, and its importance as one of the world’s most popular street trees. Readers of this book will be drawn to the nearest ginkgo, where they can experience firsthand the timeless beauty of the oldest tree on Earth.

On December 18, 1999, Julia Butterfly Hill's feet touched the ground for the first time in over two years, as she descended from "Luna," a thousand year-old redwood in Humboldt County, California. Hill had climbed 180 feet up into the tree high on a mountain on December 10, 1997, for what she thought would be a two- to three-week-long "tree-sit." The action was intended to stop Pacific Lumber, a division of the Maxxam Corporation, from the environmentally destructive process of clear-cutting the ancient redwood and the trees around it. The area immediately next to Luna had already been stripped and, because, as many believed, nothing was left to hold the soil to the mountain, a huge part of the hill had slid into the town of Stafford, wiping out many homes. Over the course of what turned into an historic civil action, Hill endured El Nino storms, helicopter harassment, a ten-day siege by company security guards, and the tremendous sorrow brought about by an old-growth forest's destruction. This story--written while she lived on a tiny platform eighteen stories off the ground--is one that only she can tell.

In this classic work of ecology, Chris Maser traces the growth of an ancient forest in Oregon's Cascade Mountains from its fiery birth in the year 987 to the present. A unique biography of an ecosystem, Forest Primeval portrays a diverse fabric of plants, animals, and microorganisms working in unison.Maser offers precise yet evocative accounts of the lives and events within the burgeoning forest: the habits of deer mice who help reseed the burned earth, the seemingly accidental but vitally necessary symbiotic associations between fungus and tree root tips that stimulate growth, the constant predation among wildlife. He reveals how over the course of a millennium, microbes and fungi change a forest just as surely as a raging fire, only inconspicuously and more slowly.As the life cycles of the forest progress, Maser's minute scientific observations unfold against the backdrop of history, a chronology of human struggle and suffering that is paralleled in the life of . . . a single 1000-year-old Douglas fir. In taking this millennial view, Maser shows how the forest represents our spiritual and historical roots as human beings. Arguing that our survival is as intertwined with the forests as are the myriad interlocking life cycles that created them, Maser makes a plea for the immediate global implementation of restoration forestry.

Casting Deep Shade is a passionate, poetic exploration of humanity's shared history with the beech tree. Before Wright's unexpected death in 2016, she was deeply engaged in years of ambling research to better know this tree--she visited hundreds of beech trees, interviewed arborists, and delved into the etymology, folk lore, and American history of the species. Written in Wright's singular prosimetric style, this "memoir with beech trees" demonstrates the power of words to conserve, preserve, and bear witness. Honoring Wright's lifelong fascination with books as objects, this final work is a three-panel hardcover that encloses the body of text, illustrated with striking color photographs of beech trees by artist Denny Moers. George and Nannette Herrick allowed me to watch their best-loved beech be brought to the ground. Mrs. Herrick said her grandson was going to be so mad when he came to town to find his favorite climber gone. Mrs. Herrick wanted the tree cut to the grass. She did not want the stump to linger as a reminder. Born in the Ozark Mountains of Arkansas, C. D. Wright has received numerous honors for her poetry, including the National Book Critics Circle Award. Wright taught at Brown University for over thirty years.

A history of the ongoing environmental struggle and invaluable reading for anyone who is concerned about the fate of the forest, the future of public land management, or the health of the conservation movement at the close of the 20th century.

This book points out that the 500-year westward sweep of European civilization on this continent has laid low every forest in its path. It describes how the old growth forests are valuable for more than lumber . They are one of nature's last defenses against the global warming trend that threatens us all. This complex story behind the old-growth debate is no only one of tress or owls, but of people as well.

In the spring of 2020, Lara's three daughters return to the family's orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother, and are forced to reconsider the world and everything they thought they knew. Tom Lake is a meditation on youthful love, married love, and the lives parents have led before their children were born. Both hopeful and elegiac, it explores what it means to be happy even when the world is falling apart. As in all of her novels, Ann Patchett combines compelling narrative artistry with piercing insights into family dynamics. The result is a rich and luminous story, told with profound intelligence and emotional subtlety, that demonstrates once again why she is one of the most revered and acclaimed literary talents working today.

An illuminating debut memoir of a woman in science; a moving portrait of a longtime friendship; and a stunningly fresh look at plants that will forever change how you see the natural world. Acclaimed scientist Hope Jahren has built three laboratories in which she's studied trees, flowers, seeds, and soil. Her first book is a revelatory treatise on plant life--but it is also so much more. Lab Girl is a book about work, love, and the mountains that can be moved when those two things come together. It is told through Jahren's remarkable stories: about her childhood in rural Minnesota with an uncompromising mother and a father who encouraged hours of play in his classroom's labs; about how she found a sanctuary in science, and learned to perform lab work done "with both the heart and the hands"; and about the inevitable disappointments, but also the triumphs and exhilarating discoveries, of scientific work.

As vividly as Jon Krakauer put readers on Everest, John Vaillant takes us into the heart of North America's last great forest, where trees grow to eighteen feet in diameter, sunlight never touches the ground, and the chainsaws are always at work. When a shattered kayak and camping gear are found on an uninhabited island, they reignite a mystery surrounding a shocking act of protest. Five months earlier, logger-turned-activist Grant Hadwin had plunged naked into a river in British Columbia's Queen Charlotte Islands, towing a chainsaw. When his night's work was done, a unique Sitka spruce, 165 feet tall and covered with luminous golden needles, teetered on its stump. Two days later it fell. The tree, a fascinating puzzle to scientists, was sacred to the Haida, a fierce seafaring tribe based in the Queen Charlottes. Vaillant recounts the bloody history of the Haida and the early fur trade, and provides harrowing details of the logging industry, whose omnivorous violence would claim both Hadwin and the golden spruce.

Beautifully illustrated and designed, this gorgeous reference book explores the world of trees from every perspective--from the world's great forests to the lifespan of a single leaf. Arresting color photographs of a wide variety of trees and close-ups of many of their remarkable features provide an enormous amount of information in a highly accessible format. The volume illustrates how trees grow and function, looks at their astounding diversity and adaptations, documents the key role they play in ecosystems, and explores the multitude of uses to which we put trees--from timber and pharmaceuticals to shade and shelter. A highly absorbing read cover to cover or dipped into at random, Trees: A Visual Guide delves into many specific topics: the details of flowers, bark, and roots; profiles of favorite trees; how animals and insects interact with trees; trees in urban landscapes; the role trees play in our changing climate; deforestation and reforestation; and much more. With clear diagrams, illustrations, and intriguing sidebars on many featured topics, this unique volume is a complete visual guide to the magnificence of the arboreal world.

With this astonishing collection of tree portraits, Thomas Pakenham produced a new kind of tree book. The arrangement owed little to conventional botany. The sixty trees were grouped according to their own strong personalities: Natives, Travellers, Shrines, Fantasies and Survivors. From the ancient native trees, many of which are huge and immeasurably old, to the exotic newcomers from Europe, the East and North America, Meetings with Remarkable Trees captures the history and beauty of these entrancing living structures. Common to all these trees is their power to inspire awe and wonder. This is a lovingly researched book, beautifully illustrated with colour photographs, engravings and maps - a moving testimonial to the Earth's largest and oldest living structures.

In the bestselling tradition of Michael Pollan's "Second Nature," this fascinating and unique historical work tells the remarkable story of the relationship between Americans and trees across the entire span of our nation's history.
The history of trees in America is no less remarkable than the history of the United States itself--from the majestic white pines of New England, coveted by the British Crown for use as masts in navy warships, to the orange groves of California, which lured settlers west. In fact, without the country's vast forests and the hundreds of tree species they contained, there would have been no ships, docks, railroads, stockyards, wagons, barrels, furniture, newspapers, rifles, or firewood. No New York City, Miami, or Chicago. No Johnny Appleseed, Paul Bunyan, or Daniel Boone. America--if indeed it existed--would be a very different place without its millions of acres of trees. As Eric Rutkow's epic account shows, trees indivisible from the country's rise as both an empire and a civilization.

The hero of the story, Elzeard Bouffier, spent his life planting one hundred acorns a day in a desolate, barren section of Provence, France. The result was a total transformation of the landscape -- from one devoid of life, with miserable, contentious inhabitants, to one filled with the scent of flowers, the songs of birds, and fresh, flowing water.