Selected and Translated by H.I. Woolf
New York: Knopf, 1924
Scanned by the Hanover College Department of History in 1995.
Proofread and pages added by Jonathan Perry, March 2001.

Per Lori Branch - Of note are the Karl Marx, selections on "The Opiate of the People" and Emile Durkheim, "Religion as Society's Self-Worship."
Religion as Poetry continues in the grand tradition of the sociology of religion pioneered by Emile Durkheim, Max Weber, and Talcott Parsons, among other giants in intellectual history. Too many present-day sociologists either ignore or disparage religious currents. In this provocative book, Andrew M. Greeley argues that various religions have endured for thousands of years as poetic rituals and stories. Religion as Poetry proposes a theoretical framework for understanding religion that emphasizes insights derived from religious stories. By virtue of his own rare abilities as a novelist as well as sociologist, Greeley is uniquely qualified for this task. Greeley first considers classical theories of the sociology of religion, and then, drawing upon them, he explicates his own interpretation. He critically examines the viewpoint that society is becoming more secular, and that religion is declining. He observes that this theory stands in the way of persuading sociologists that religion is still worth studying. In contrast, Greeley is interested in why religions persist despite secular trends and alongside them. He argues that it is poetic elements that touch the human soul. Greeley then sets out to test this viewpoint. Greeley maintains that his theory is not the only, or necessarily even the best approach to study religion. Rather, it is his contention that it uniquely provides sociologists with perspectives on religion that other theories too often overlook or disregard. Religion as Poetry, an original and intriguing study by a distinguished social scientist and major novelist, will be enjoyed and evaluated by sociologists, ' theologians, and philosophers alike.

For the first time in 70 years, a new translation of Max Weber's classic The Protestant Ethic and the Spirit of Capitalism --one of the seminal works in sociology-- published in September 2001. Translator Stephen Kalberg is an internationally acclaimed Weberian scholar, and in this new translation he offers a precise and nuanced rendering that captures both Weber's style and the unusual subtlety of his descriptions and causal arguments. Weber's original italicization, highlighting major themes, has been restored, and Kalberg has standardized Weber's terminology to better facilitate understanding of the various twists and turns in his complex lines of reasoning. Weber's compelling work remains influential for these reasons: it explores the continuing debate regarding the origins and legacy of modem capitalism in the West; it helps the reader understand today's global economic development; and it plumbs the deep cultural forces that affect contemporary work life and the workplace in the United States and Europe. This new edition/translation also includes a glossary; Weber's 1906 essay, "The Protestant Sects and the Spirit of Capitalism"; and Weber's masterful prefatory remarks to his Collected Essays in the Sociology of Religion, in which he defines the uniqueness of Western societies and asks what "ideas and interests" combined to create modem Western rationalism

The claim that modern societies are less religious than their predecessors because modernity undermines the plausibility of religion has been almost an orthodoxy. But increasingly this `secularization thesis' is being challenged on a number of fronts.This collection brings together leading sociologists and historians who share a common interest in advancing our understanding of religious change by clarifying the key elements of the thesis and testing them against appropriate bodies of data.The book begins with an exposition of the thesis by two sociologists and goes on to present and interpret new data on church adherence in the nineteenth century in the USA and Europe, British church membership rates for the last two hundred years and the British 1851 census of church attendance,changes in English Roman Catholicism, and comparisons of American and European religiosity. The collection is completed with a response by Bryan Wilson, for many the chief advocate of the secularization account of religious change.Even where historians and sociologists cannot agree, Religion and Modernization has the great value of clarifying the arguments and pointing the way toward their resolution.

For most of the last twenty years, sociologists have studied the "decline" of religion in the modern world--a decline they saw as a defining feature of modernity, which promotes materialism over spirituality. The revival and political strength of varying religious traditions around the world, however, has forced sociologists to reconsider. This paradox has led Hervieu-Léger to undertake a sociological redefinition and reexamination of religion. For religion to endure in the modern world, she finds, it must have  deep roots in traditions and times in which it was not defined as irrelevant. This reasoning leads her to develop the concept of a "chain of memory"--a process by which individual believers become members of a community that links past, present, and future members. Thus, like cultural tradition, religion may be understood as a shared understanding with a collective memory that enables it to draw upon the deep well of its past for nourishment in the increasingly secular present. Hervieu-Legér also argues that the modern secular societies of the West have not, as is commonly assumed, outgrown or found secular substitutes for religious traditions; nor are they more "rational" than past societies. Rather, modern societies have become "amnesiacs," no longer able to maintain the chain of memory that binds them to their religious pasts. Ironically, however, even as the modern world is destroying and losing touch with its traditional religious bases, it is also creating the need for a spiritual life and is thus opening up a space that only religion can fill.

"Caputo's book is riveting. . . . A singular achievement of stylistic brio and impeccable scholarship, it breaks new ground in making a powerful case for treating Derrida as homo religiosis. . . . There can be no mistaking the importance of Caputo's work." --Edith Wyschogrod "No one interested in Derrida, in Caputo, or in the larger question of postmodernism and religion can afford to ignore this pathbreaking study. Taking full advantage of the most recent and least discussed writings of Derrida, it offers a careful and comprehensive account of the religious dimension of Derrida's thought." --Merold Westphal

John D. Caputo explores the very roots of religious thinking in this thought-provoking book. Compelling questions come up along the way: 'What do I love when I love my God?' and 'What can Star Wars tell us about the contemporary use of religion?' (are we always trying to find a way of saying 'God be with you'?) Why is religion for many a source of moral guidance in a postmodern, nihilistic age? Is it possible to have 'religion without religion'? Drawing on contemporary images of religion, such as Robert Duvall's film The Apostle, Caputo also provides some fascinating and imaginative insights into religious fundamentalism.

What does it mean to say that we live in a secular age? Almost everyone would agree that we--in the West, at least--largely do. And clearly the place of religion in our societies has changed profoundly in the last few centuries. In what will be a defining book for our time, Charles Taylor takes up the question of what these changes mean--of what, precisely, happens when a society in which it is virtually impossible not to believe in God becomes one in which faith, even for the staunchest believer, is only one human possibility among others. Taylor, long one of our most insightful thinkers on such questions, offers a historical perspective. He examines the development in "Western Christendom" of those aspects of modernity which we call secular. What he describes is in fact not a single, continuous transformation, but a series of new departures, in which earlier forms of religious life have been dissolved or destabilized and new ones have been created. As we see here, today's secular world is characterized not by an absence of religion--although in some societies religious belief and practice have markedly declined--but rather by the continuing multiplication of new options, religious, spiritual, and anti-religious, which individuals and groups seize on in order to make sense of their lives and give shape to their spiritual aspirations. What this means for the world--including the new forms of collective religious life it encourages, with their tendency to a mass mobilization that breeds violence--is what Charles Taylor grapples with, in a book as timely as it is timeless.

Far from displacing religions, as has been supposed, capitalism became one, with money as its deity. Eugene McCarraher reveals how mammon ensnared us and how we can find a more humane, sacramental way of being in the world. If socialists and Wall Street bankers can agree on anything, it is the extreme rationalism of capital. At least since Max Weber, capitalism has been understood as part of the "disenchantment" of the world, stripping material objects and social relations of their mystery and sacredness. Ignoring the motive force of the spirit, capitalism rejects the awe-inspiring divine for the economics of supply and demand. Eugene McCarraher challenges this conventional view. Capitalism, he argues, is full of sacrament, whether or not it is acknowledged. Capitalist enchantment first flowered in the fields and factories of England and was brought to America by Puritans and evangelicals whose doctrine made ample room for industry and profit. Later, the corporation was mystically animated with human personhood, to preside over the Fordist endeavor to build a heavenly city of mechanized production and communion. By the twenty-first century, capitalism has become thoroughly enchanted by the neoliberal deification of "the market." Informed by cultural history and theology as well as economics, management theory, and marketing, The Enchantments of Mammon looks not to Marx and progressivism but to nineteenth-century Romantics for salvation. The Romantic imagination favors craft, the commons, and sensitivity to natural wonder. It promotes labor that, for the sake of the person, combines reason, creativity, and mutual aid. In this impassioned challenge, McCarraher makes the case that capitalism has hijacked and redirected our intrinsic longing for divinity-and urges us to break its hold on our souls.